![]() From the musical mash-ups of Girl Talk to the pop-culture borrowings of Damien Hirst and Jeff Koons, it's clear that the artistic landscape is shifting - which leads to some tricky legal and philosophical questions. "About this title" may belong to another edition of this title.The art scene today is one of appropriation - of remixing, reusing, and recombining the works of other artists. "The theoretical framework that this book offers remains decisive for thinking about the future of artistic appropriation practices in an increasingly digital world marked by the expression of identity differences." (translated from French) ( Magazine Spirale) ( Journal of Aesthetics and Art Criticism) The book's wealth of examples, the rigor of its argumentation and its familiarity with relevant law (from a wide variety of jurisdictions) all contribute to making it a model of its kind. The book’s project is ambitious and the arguments insightful."Ī short review cannot do full justice to the richness of Hick's work. Artistic License makes a complex and interesting case for a unique understanding of intellectual property ownership and usage. He at once endorses strong copyright protections and advocates for presumptive fair use by appropriation artists. "Moving between the complex and contested spheres of copyright law and aesthetic philosophy Hick weighs a number of questions sparked in part by the broad efflorescence of appropriation art in the later 1970s and ’80s and still of pressing concern to many contemporary artists, critics, and scholars. Engaging and stimulating to read, his ideas are seeds for hearty discussion. But Hick makes the case, based on a theory of rights, for justified appropriation, a limit on the natural rights of the creator to support the expressive freedom of artists. Hick’s focus is on appropriation practices in the visual arts. Copyright, Hick argues, often appeals to the natural rights of the creator to punish appropriation. ![]() Hick's account of copyright is sometimes descriptive, sometimes revisionary, and thus has something to teach lawyers as well." ( Notre Dame Philosophical Reviews) Philosophers of art who care about artistic practice can learn, not only from Hick's rich and varied examples, but also from his account of one of the great forces shaping that practice. His new book has a lot to teach philosophers about how the law both protects authors' rights and limits them, often to protect others who want to sample, quote, adapt, or appropriate existing works within their own. "Darren Hudson Hick is a rarity: a sophisticated philosopher of art who understands and cares about the law. Van Camp, California State University, Long Beach) It has enormous potential to address an area of growing interest among not only philosophers, but also legal theorists and the art world.” (Julie C. The book is especially rich with detailed examples from the real art world, as well as numerous legal cases involving these works, well-informed with philosophical insights. “Hick examines a range of key concepts central to intellectual property law, including authorship, works, originality, and infringement. "synopsis" may belong to another edition of this title. Ultimately, Artistic License provides a critical and systematic analysis of the key philosophical issues that underlie copyright policy, rethinking the relationship between artist, artwork, and the law. ![]() Using real-life examples of artists who have incorporated copyrighted works into their art, he explores issues of artistic creation and the nature of infringement as they are informed by analytical aesthetics and legal and critical theory. In this up-to-date, thorough, and accessible analysis of the right to copyright, Darren Hudson Hick works to reconcile the growing practice of artistic appropriation with innovative views of artists’ rights, both legal and moral.Įngaging with long-standing debates about the nature of originality, authorship, and artists’ rights, Hick examines the philosophical challenges presented by the role of intellectual property in the artworld and vice versa. From the musical mash-ups of Girl Talk to the pop-culture borrowings of Damien Hirst and Jeff Koons, it’s clear that the artistic landscape is shifting-which leads to some tricky legal and philosophical questions. The art scene today is one of appropriation-of remixing, reusing, and recombining the works of other artists.
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This is the official thread for the ongoing and current effort by members of the community to get PlayStation 2 Emulation on Xbox One via PCSX2. There are 3 possible reasons you were unable to login and get access our premium online pages. Thank you for visiting Publishers Weekly. “And we can't change tragic history, but we can choose the legacy that we want to pass on.” “The main point is that that we can't change past events, but we can change the outcome of those events,” Firestone tells PW. ![]() “Down the road, I think we'll see Tirzah making more of this kind of outreach beyond the Jewish community.” He notes that Firestone's book tour will include a conversation with feminist icon Gloria Steinem about inherited Jewish trauma as well as women’s trauma during an event in New York City on April 24. “Our hope is that anyone would benefit from reading the book,” Cohen says. Paul Cohen, publisher at Monkfish Book Publishing, the parent company of Adam Kadmon Books, said that while the book’s target audience is “first and foremost Jews, whose history has been so largely shaped by trauma, inherited trauma is something that affects everyone.” ![]() That is the main reason Firestone wrote Wounds Into Wisdom: to help encourage a next step, a way for everybody to move forward from trauma. The more aware we are, the more we can extend our awareness to the world.” This may also be why a disproportionate number of Jews become social workers, doctors, or other kinds of healers, Firestone says. That's a natural altruistic impetus that many survivors have.” “Then we can begin to extend our capacity and start to help others. “We can see there are so many people that are suffering, and even suffering the kinds of things that we suffered as an ethnicity,” Firestone says. 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The extreme stress is transmitted to children in unseen ways, even through DNA, according to Firestone, and there has been some research that backs up this claim. And collective Jewish memories are in overdrive these days with the rise of anti-Semitism. It happens on the individual and, Firestone believes, also on the collective level. In it, Firestone looks at what she calls intergenerational trauma, or “the residue of our ancestors' overwhelming stresses and life events that they couldn't metabolize in their lifetimes,” such as the Holocaust or fleeing persecution. This idea is the subject of her book, Wounds into Wisdom: Healing Intergenerational Jewish Trauma (Adam Kadmon Books, Apr.). And this horror comes not from having been taught about the Holocaust, but from a subconscious, genetic level, she says. ![]() “‘I feel like I've been through it myself.’”įirestone, a leader in the Jewish Renewal movement and a psychoanalyst, knew that what they were feeling was something more personal than the horror an average person feels when they see Nazis marching. “People would come in and say, ‘I don't even have anyone in my family who suffered this, but I know about this in my psyche, and this is terrible,’” Firestone tells PW. It seemed to them it was happening all over again. who, perhaps for the first time in their lives, felt personally victimized by Nazis. In August 2017, when neo-Nazis rallied in Charlottesville, Va., Rabbi Tirzah Firestone received calls from her worried congregants in Boulder, Co. ![]() Include keywords that show employers (and the ATS systems they use to scan resumes) that your background aligns with their needs. 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I say unto you, can you look up, having the image of God engraven upon your countenances?. Oaks, “ The Challenge to Become,” Ensign, Nov 2000, 32–34Īs we weigh our daily progress toward conversion, it might be wise to review the words of Alma from the Book of Mormon.ġ4 And now behold, I ask of you, my brethren of the church, have ye spiritually been born of God? Have ye received his image in your countenances? Have ye experienced this mighty change in your hearts.ġ5 Do ye exercise faith in the redemption of him who created you? Do you look forward with an eye of faith, and view this mortal body raised in immortality, and this corruption braised in incorruption, to stand before God to be judged according to the deeds which have been done in the mortal body?ġ6 I say unto you, can you imagine to yourselves that ye hear the voice of the Lord, saying unto you, in that day: Come unto me ye blessed, for behold, your works have been the works of righteousness upon the face of the earth?. “Our needed conversions are often achieved more readily by suffering and adversity than by comfort and tranquility.” Dallin H. That’s the great mission and purpose of this life. Their conversion would not be complete until they realized that they could follow Him even when they could not physically see Him. Yes, they had trials, but the Lord was always there. This is one of the things the disciples at the last supper had not experience yet. As difficult as it may sound, the difficulties of this life are the refiner’s fires that can solidify our hearts in the ways of Christ. 2000, 32).Īnother part of conversion is testing. In contrast to the institutions of the world, which teach us to know something, the gospel of Jesus Christ challenges us to become something” (Ensign, Nov. ![]() enough for us to be convinced of the gospel we must act and think so that we are converted by it. That type of transformation only comes when we take what we know and feel and continually turn it into doing and becoming.Įlder Dallin H. When we are converted, we become someone new, someone like the Savior. Convert implies a complete change to something new and different than you were before. There are days when my testimony of prayer is strong, but my testimony of forgiveness is weak.Ĭonversion is more than knowing and declaring, it’s feeling and understanding. There are days when discouragement at my own trials keeps me from noticing the needs of another. There are days (though I wished there were not) when I let my fears and doubts out-weigh what I know about the Lord’s divine mercy and watchful care over my life. I don’t know about you but like the disciples of Luke 22, I don’t think I’ve made it there yet. The goal of discipleship is to reach this point of conversion. Conversion means learning to imbed Christ and His teachings so fully upon our lives and hearts that we have no desire for anything else. These events are also often referred to as a change of heart or being born of God. There are many stories of conversion in the scriptures. With all our human faults, the goal of the disciple is to keep the balance weighing toward total conversion to the gospel. If we’re on the right path to conversion, that balance comes out on the Lord’s side, not the world’s. Every day our souls weigh out our testimony as well as our commitment to the gospel and the commandments. Conversion is an ongoing, dynamic process. I think this is one of the things that Christ would have us understand about faith, testimony, and conversion. Think back to when you first came to understand how deeply you loved Jesus Christ, is that the last time you learned anything about Him? Were those the only poignant feelings you have had related to His gospel and teachings? Unless that first experience was yesterday, I rather doubt it was your last. I think the Lord would have us understand that is only the beginning. I think many of us assume that our conversion has already happened at the point in time that we declare ourselves to be disciples of Christ. For me, that brings to mind the question: what does it take for a disciple to be converted? These were the men who had followed Him almost from the beginning, who had testified of His divinity, and still Christ felt they were not fully converted. He was addressing His most faithful disciples yet He is praying for their faith and conversion. ![]() Do you recall when the Savior spoke these words? It was at the last supper. ![]() Connect the drive to your computer and copy the entire Picasa folder, which includes all your albums and images.Ģ. External Hard Drive: One of the most common methods is to back up your photos on an external hard drive. Here are some best practices and methods to create a reliable Picasa backup.ġ. It provides an extra layer of protection against potential loss or damage to your files during the transfer process. How to Easily Transfer Photos from Picasa to Another Computer Creating A Picasa Backup: Best Practices And MethodsĬreating a backup of your Picasa photos is essential to ensure the safety of your precious memories. By taking the time to create backups, you can protect your photos and ensure that they are easily transferred to another computer when needed. Remember, regularly backing up your Picasa photos is vital for data security. By uploading your Picasa photos to these platforms, you can access them from any computer with an internet connection. These services automatically sync your files and folders, providing an extra layer of security for your photos. ![]() Using online backup services like Google Drive or Dropbox is also a great option. ![]() Simply go to the “Tools” menu in Picasa, select “Backup Pictures,” and follow the prompts to create a backup on your preferred storage device. This feature allows you to create a backup of your entire Picasa library, including your albums, tags, and edits. This ensures that all your albums and images are transferred to the new computer seamlessly.Īnother method is to use the built-in backup function in Picasa. 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You can also choose to create a subfolder within the destination folder to organize the exported photos. Next, click on the “Browse” button to select the destination folder on your computer, where you want to save the photos. A dialog box will appear, allowing you to specify the location where you want to save the exported photos. Then, go to the File menu and choose the “Export Picture to Folder” option. ![]() To do this, open Picasa and select the album or individual photos that you want to transfer. The first step in this process is exporting the photos from Picasa on the original computer. Picasa, the popular image organizer and editor, provides an easy way to transfer photos from one computer to another. Final Thoughts Exporting Photos From Picasa: Step-by-Step Guide.Syncing Picasa Photos Across Multiple Devices: Convenient Methods And Tips.Importing Picasa Photos Into A New Library: Organizing And Accessing Images.Moving Picasa Photos To A New Computer: Troubleshooting Common Issues.Transferring Picasa Photos Via Google Drive: A Quick And Easy Method.Transferring Picasa Albums To Another Computer: Simplified Process.Creating A Picasa Backup: Best Practices And Methods.Backing Up Picasa Photos: Ensuring Data Security.Exporting Photos From Picasa: Step-by-Step Guide. Although research has shown that using the SUDs in this fashion is an appropriate clinical practice, clinicians should not assume that an individual’s self-report of distress can completely substitute for objective measurement of physiological arousal to trauma-related stimuli. For example, clinicians’ use the Subjective Units of Discomfort scale (SUDs) to determine patients’ level of distress during imaginal and in vivo exposure exercises. ![]() Specifically, self-report instruments have fixed item content and rating scale formats, and their accuracy is contingent upon the patient understanding each item and answering truthfully.Īssessment in the context of treatment is not limited to the measurement of symptoms of PTSD and psychiatric comorbidity. Self-report measures of PTSD symptomatology can be used when time and resources are scarcer but they have their own limitations. However, because such structured interviews are time-consuming and must be administered by a trained clinician, it may not be feasible to administer them in every situation. Structured, standardized diagnostic interviews are considered the “gold standard” for assessing PTSD symptoms. In addition, we discuss how the recent introduction of the fifth edition of the Diagnostic and Statistical Manual of Mental Disorders (DSM-5) has affected assessment in the context of treatment.Īssessment of PTSD can be conducted using a range of available instruments, each possessing varying strengths and weaknesses. In this review, we briefly describe how to construct an appropriate PTSD assessment battery and the importance of using this battery or components of this battery throughout treatment. This oversight is noteworthy in that careful assessment is crucial to identifying an appropriate treatment, monitoring progress throughout the treatment, and determining whether additional interventions are warranted after the completion of treatment. Further, adjunctive treatment with atypical antipsychotics for patients who are unresponsive to SSRIs and SNRIs has shown some promise.Īlthough researchers have devoted considerable attention to developing treatments for PTSD, less attention has been given to the role of assessment in the successful treatment of PTSD. Although generally not as effective as cognitive-behavioral treatments, empirical evidence does support the use of both selective serotonin reuptake inhibitors (SSRIs) and serotonin-norepinephrine reuptake inhibitors (SNRIs) as first-line treatments for PTSD. Pharmacotherapy has also been used as an intervention for PTSD. Of these, the cognitive behavioral therapies have received the most empirical support, particularly prolonged exposure (PE), cognitive processing therapy (CPT), and Stress Inoculation Training (SIT). Therefore, the field has focused its attention on developing a range of treatments that can successfully reduce PTSD symptoms. ![]() Posttraumatic stress disorder (PTSD) is a debilitating condition, which if left untreated, can persist for many years. |
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